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And What’s The Attraction

Orthodox Jews name it a bubu. Religious Muslims name it a puff. Each are based mostly on the same concept: stuffing something aside from a woman’s actual hair under her headscarf to create the illusion of lengthy flowing tresses beneath.

The Jewish model, the bubu, is a sponge-like accessory, often the scale of a baseball, that’s either clipped immediately onto the hair or in some instances, inserted into a pocket inside the headscarf created particularly for this objective. The Muslim model, the puff, is a floral hair clip that comes in varied sizes and colours and attaches on to the hair.

In both circumstances, though, the attachment types a huge hump on the head, suggesting heaps and lots of hair, and inflicting the headscarf wrapped round it to protrude from the again of the skull at a 90-degree angle.

As soon as upon a time, it was quite easy to tell observant Jewish and Muslim ladies apart – despite the hair coverings which petite wigs for black women can be standard garb for both groups and dictated by religious rules of modesty. The Jewish women tended to tie their scarves behind the top and were partial to solid colours, though not necessarily black or white. The Muslim ladies, on the other hand, used their hijabs to cover the whole front of the neck as effectively, and most of the time, restricted themselves to either black or white.

An ironic development
However that’s no longer the case. Out-of-towners visiting the modesty trend centers that dot each sides of the pre-1967 Inexperienced Line can’t help but be struck lately by the fact that – as distant as they may be culturally, religiously and politically – style-conscious women strolling the streets of Ramallah and Bnei Brak have remarkably related tastes when it comes to new trends in headwear.

Perhaps it’s a sign of the times, however the drab colours that once defined hair coverings for both Jewish and Muslim women are gone, having been changed by brilliant-coloured patterns, often decorated with fringes, beads and other eye-catching ornaments. Somewhat ironically, these headscarves, whose original function was to deflect attention from the female head, have through their volumizing impact and daring designs grow to be the centerpiece petite wigs for black women of many outfits worn at this time by both observant Jewish and Muslim girls. Headscarves have turn into the one piece of attire that always units the tone for all the rest.

Numa Yaqub, the proprietor of a toy retailer in downtown Ramallah, says he finds the contemporary model alluring, and even provides a proof as to why it hasn’t but caught on among Israeli Arabs. “In Jaffa, the Arabs need to differentiate themselves from the Jews,” he says. “Here in Ramallah, they don’t, because they reside amongst themselves.”

A buyer in the store, who identifies herself as Zahara, wears a white sweater, snug blue denims, and a headscarf decorated in daring scorching-pink, sky-blue, and black-and-white patterns that draw out the stable colours in the rest of her attire – a glance quite standard exterior on the street as well. “My face is skinny, so it makes me look fuller,” she says, explaining her choice for the puffed look.

From black-and-white to leopard prints
The choice is huge, judging from random stops at huge and small shops in downtown Ramallah that cater to female clientele. Not by chance, the as soon as-standard black-and-white hijabs are hardly ever seen on the streets anymore, besides on the heads of a lot older ladies. As Yaqub places it: “If you see a younger girl with a black or white hijab and no puff beneath, you recognize she’s not from here.”

Checks, polka dots, leopard-pores and skin prints, wild geometric shapes and softer paisley patterns are among the many dozens of various designs seen on headscarves decorating the heads of younger, vogue-aware Muslim ladies, their colours spanning the spectrum of smooth pastels to fluorescent orange and lime. When not wrapped around the top, overlaying the oversize bun created by the puff, the scarves are prominently displayed hanging outdoors storefronts or folded neatly in large piles inside.

Jehed Jada, who owns a headscarf shop close to the primary downtown square, says a lot of the women popularizing the new style are between 16 and 35 years outdated. “It’s one thing that’s grow to be extraordinarily trendy prior to now few years,” he says.

Not all are thrilled with the look and what it suggests. In an article titled “Clerics Break up Hairs Over Latest Hijab Style,” the U.K.-based mostly on-line fashion site Hijab Fashion recently reported that the more flamboyant look, also identified as the Abu-Nafkha-fashion hijab, was enraging some prominent Muslim clerics, one famously describing it as “the leaning humps of female camels” and damning those that followed the pattern to a bitter fate.

The ‘it’ model
Jewish girls sporting an analogous look have been spared such attacks. “There’s nothing wrong with a Jewish woman wanting stunning and caring about how she appears,” says ultra-Orthodox stylist and fashion designer Miri Beilin. “If the point is to create the illusion of lots of hair, there’s completely nothing unsuitable with that.”

The concept, she says, has recently carried over to the world of wigs, usually worn by the very ultra-Orthodox, “where the ‘big hair’ look of the 1980s is again in style again.”

And what’s the attraction “Lots of thick hair,” explains Beilin, “is a sign of a wholesome girl, and women wish to look wholesome.”

A latest visit to the biannual fashion fair for modesty-conscious Jewish women, held just outdoors the extremely-Orthodox community of Bnei Brak, would seem to confirm that. There, the designers displaying and promoting haute couture hair wraps were clearly drawing the largest crowds.

So call it massive hair, Abu-Nafkha, bubu or puff. Regardless of the case could also be, for modesty-conscious women with a way of flair – Jewish and Muslim alike – it’s indisputably the fashionable-day “it” style.